Video © Iwan Baan
View of the synagogue from the public path
Photo © Iwan Baan
Opening process of the synagogue
Photo © Iwan Baan
Setting of the synagogue and the seminar cabin in its context
Photo © Iwan Baan
Babyn Yar Synagogue in its context with the seminar cabin visible on the left
Photo © Iwan Baan
Observing a service in the synagogue with a view onto the moveable wall
Photo © Iwan Baan
View from the “bimah” (praying platform) towards the women’s gallery and the ceiling
Photo © Iwan Baan
Religious service in the open synagogue
Photo © Iwan Baan
Looking into the ceiling showing the star constellation of the night of the Babyn Yar massacre
Photo © Iwan Baan
Wall/Ceiling Decoration
Picture © Manuel Herz Architects
Ceiling Painting Map
Picture © Manuel Herz Architects
Photo © Manuel Herz Architects
Photo © Manuel Herz Architects
Photo © Manuel Herz Architects
Drawing © Manuel Herz Architects
Drawing © Manuel Herz Architects
Drawing © Manuel Herz Architects
Plan (Closed)
Drawing © Manuel Herz Architects
Plan (Open)
Drawing © Manuel Herz Architects
Drawing © Manuel Herz Architects
Drawing © Manuel Herz Architects
Drawing © Manuel Herz Architects

Babyn Yar Synagogue

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Babyn Yar, Kiev, Ukraine
Babyn Yar Holocaust Memorial Foundation
Maxim Gabai, Ben Olschner, Angeliki Giannisi, Isabella Pagliuca
Creative Director (Babyn Yar Holocaust Memorial Foundation)
Ilya Khrzhanovsky
Site Supervision
Oleksandr Laptev
Dmytro Pisarevaliy, Yaroslav Novitskiy
Project Management
Oleksiy Makukhin
Ceiling Painting
C.I.Form, Kyiv
Wall Painting
Galina Andruschenko
General Contractor
Budsok, Kyiv

Babyn Yar is a wooded area with a deep ravine located in the west of Kyiv, Ukraine, that used to mark the edge of the city. It is the site of one of the worst massacres of the of the 20th century, when on September 29th and 30th, 1941 approximately 35’000 Jews were shot and killed by German SS officers, their Einsatzgruppen, other soldiers of the Wehrmacht, and supported by local Ukrainian troops. Over the following weeks and months several ten thousand additional Jews, Soviet prisoners of war, communists, Ukrainian nationalists, Roma and patients of a nearby psychiatric hospital were murdered within the grounds of Babyn Yar. A ‘holocaust by bullets’, it represents one of the worst atrocities of our modern era.
The territory of Babyn Yar is marked by gorges and a strong topography. It was precisely this topography that the SS officers utilized, by killing these tens of thousands of people without having to excavate mass graves. Through the mass killing, a new topography was created.
A physical topography of death and murder. The very soil of Babyn Yar can therefore be considered as sacred.
Over the following years, and during the Soviet era, the topography of Babyn Yar was repeatedly altered. Parts of the ravine still exist, but other parts have been flattened. Today the area is used as a city park. Only a few memorials within Babyn Yar speak of the unimaginable horror that took place on this ground.
The Babyn Yar Holocaust Memorial Foundation has started a process of implementing a series of smaller and larger interventions over the coming years to commemorate the history of the site in all its complexity. The Babyn Yar Synagogue represents the first building within this initiative. It is meant as a synagogue that will commemorate the history, but also reestablish a living Jewish presence on the site today.

The Design
If we conceptualize the synagogue as a building typology in its purest essence, we can consider it as a book. During the religious service, a congregation comes together, to collectively read a book - the Siddur (the book of prayers) or the Bible. The shared reading of the book opens a world of wisdom, morals, history and anecdotes to the congregation. It is this notion that informs the design of the new Babyn Yar Synagogue.
We combine this idea with a different type of book, something that is quite playful: the pop-up book. Pop-up books can be magic books, that unfold into three dimensions. From a flat object of a book, when we open them, new worlds unfold, that we could not imagine before. In a sense, the pop-up book can act as a metaphor for the Synagogue. Furthermore, the pop-up book triggers fascination: no-one can resist the temptation of opening up these books of wonders, and explore them. This quality of a “cabinet of wonder” and a new universe that unfolds, is what I wanted to create in the location of Babyn Yar.

The site is located within the trees, just behind an existing small monument, a Menorah that dates back to the early 1990s. The building sits on a wooden platform that hovers slightly above the ground. Great care was taken to prevent a deep foundation, so as not to disturb the existing soil. The building itself is a wooden construction with an inner steel framework. When closed, the building is a flat, vertical volume of approximately 8 Meters in width, 11 Meters in height and with a thickness of just over two Meters. The building is manually opened, and then unfolds into the three-dimensional space of the synagogue. The opening process is a collective ritual, performed by the congregation, as a manual and physical task. The unfolding space, with the Bimah (reading platform for the Torah) in the center, with its benches and balcony, is this new universe that has opened by reading the book together.

The wood is sourced from old oak wood, coming from all parts of Ukraine. This ensures that the building has a unifying quality, down to the very material used in its construction. The wood is more than a hundred years old. It will therefore connect the time of before the massacre, to the contemporary era. Wood is also an unusual material to use for commemorative buildings. It gives the synagogue a certain fragility and obliges us to care for it, and be tender to it. This continual care and tenderness is exactly what rememberance is about.

The walls are decorated with prayers and blessings, celebrating a reawakening. The main prayers of the Jewish liturgy, such as the Shma’ Israel, or the Kaddish are written on the walls. But maybe more surprisingly, other blessings such as the blessing for turning a nightmare into a good dream, are displayed on the main wall, above the “Aron ha-Kodesh” , the place where the bible scrolls are kept. This blessing was written on the walls of the historic Synagogue of Gwozdziec of Western Ukraine dating back to the 17th century, and it is a perfect theme for the new Synagogue.

The ceiling is painted with a myriad of symbols and iconography also referencing the interior of the historic synagogues of Ukraine from the 17th and 18th century that have since been destroyed. It celebrates a colorful universe that will become visible above the heads of the visitors of the Synagogue. But these symbols have an additional meaning: Together, they recreate the star constellation that was visible over Kyiv on the night of September 29th, 1941. For the visitors, looking up into the ceiling of the new synagogue will create a link to the night that the massacre started. Together with the painted walls, the synagogue commemorates the killings of Babyn Yar that took place 80 years ago, but also is a building that wants to turn a nightmare into a good dream.

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Zürich, Switzerland