The Pinwheels of Brooklyn

John Hill
11. de juliol 2017
All photographs by John Hill/World-Architects

Although at first glance The Connective Project, as the temporary installation is called, seems frivolous, it draws attention to a forgotten part of the park and taps into its history. When designed by Frederick Law Olmsted and Calvert Vaux in the 1860s, what became the Rose Garden was actually intended as a children's playground, complete with a horse-driven carousel. Instead, around 1885 the area was planted with roses, organized about three pools with goldfish and lilies. In 1969, long after the roses were gone, the city installed fountains in the pools, but those promptly broke and have never been fixed. So although it's called the Rose Garden, the area is merely a series of three dry pools surrounded by grass and trees.

Enter The Connective Project, which was conceived and developed by AREA4 and designed by Suchi Reddy of Reddymade Architecture and Design. The 7,000 yellow pinwheels hark back to the garden as a shortlived setting for colorful flowers. Although the pinwheels all look the same, they come in different sizes and many have been crafted either by artists (per an open call with HLK Art Group) or by children who drew on them on-site. The result is thousands of variations on a theme – just like real flowers.

World-Architects visited during the installation's short run (from 7 July to 17 July 2017) and snapped these pictures and a video.

Reddy put yellow steps and furniture inside the dry pools to invite people to sit and stay awhile amongst the pinwheels.
For accessibility, one of the pools was outfitted with a bridge that is level with the lip of the pool.
Looking across the installation, the pinwheels describe the shape of the three spaces oriented about the dry pools.
Over the course of the installation's 10-day tenure in the park, more and more of the pinwheels are being taken over with custom artwork.

Finally, watch the pinwheels spin in the summer breezes:

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